Sheryl Crow 

Unlike her debut album, this one is all hers — written and produced by her and her alone.

Sheryl Crow releases her sophmore album — and my favorite — on September 24, 1996.

It includes “Redemption Day,” a song that Johnny Cash took a fancy to and recorded just before he passed away. Sheryl included it on her latest release, “Threads” as a duet and it’s a damn show-stopper.



At San Quentin

Johnny Cash is just 25 and releases his thirty-first album — “At San Quentin” — on June 4, 1969. Legendary rock photog Jim Marshall shot the cover and also the infamous “One Finger Salute.”

JC explained it in the 2000 reissue liner notes as an angry reaction to a film crew from the UK there to record the concert for broadcast on television. They were blocking Cash’s view of the audience and when they ignored his ask to “clear the stage,” they got the middle finger which turned into one of Johnny’s — and Jim Marshall’s — most famous photos.

The Master of Smoothness

He’d seen it all. Rest in peace, sir.

R.I.P. Jimmy Capps, “The Gambler” Guitarist and Grand Ole Opry Member Dies at 81

Capps was part of The Nashville A-Team, a collective of session musicians who backed artists like Elvis, Patsy Cline, Bob Dylan, Jerry Lee Lewis, and Brenda Lee throughout the 1950s, 60s, and 70s. In Capps’ case, he famously played on Kenny Rogers’ “The Gambler”, George Jones’ “He Stopped Loving Her Today”, and George Strait’s “Amarillo by Morning”. He also shared time in the studio with Johnny Cash, Reba McEntire, Ray Charles, Andy Williams, and Alan Jackson.

Source: R.I.P. Jimmy Capps, “The Gambler” Guitarist and Grand Ole Opry Member Dies at 81 | Consequence of Sound

When legends gather … 

May 1, 1969 ~ The Johnny Cash Show debuts  on ABC and his guest is Orpheus. He performs a couple songs solo and then he and The Man In Black team up for a duet that, to this day, remains one of the greatest of all time. The first show occurs at The Mother Church of Country Music — The Ryman Auditorium in Nashville.

American Recordings 

The 81st (that number is just stupid) album from Johnny Cash is released on April 26, 1994.

It’s the beginning of a resurgence for The Man In Black. The album is produced by the legendary Rick Rubin and is recorded in Rubin’s living room, Johnny’s cabin, and in LA’s Viper Room. The result was an Americana masterpiece.

It won a Grammy and is #366 on Rolling Stone’s 500 Greatest Albums of All Time.


Cash and Rubin unchained … 

March 14, 1998 ~ Weeks after Johnny Cash‘s “Unchained” wins the Grammy for Best Country Album, his producer Rick Rubin takes out this full-page ad in Billboard.

The photo of course is the classic from the lens of Jim Marshall taken at the legendary San Quentin prison concert Johnny put on in 1969. (Cash made the gesture after being asked to “do a shot for the warden.”)

The photo was not widely seen until Rubin used it in the ad to make the point that Cash got the Grammy win even without support from country radio, which had little use for the aging legend on their playlists. But while country stations remained enamored with the likes of Shania Twain and Garth Brooks, Cash found a wider audience with Unchained, which had cross-genre appeal.

The photo hangs on the walls of many. It’s on my office wall. Willie Nelson even hangs it in his tour bus as an emblem of real country music.


Source: Cash and Rubin unchained … – You Can’t Make This Stuff Up